John is an actor, writer and film maker.
Film and television acting work includes the lead role in the award winning feature Locus Of Control, Wolfwalkers, Where The Wild Things Go, The Professor and The Madman, Old Fangs, Love/Hate, Republic Of Telly, Tobias And The Tree, Fading Away and various other bits and bobs.
He is the writer of the critically acclaimed TV series Dead Still for Deadpan Pictures, for which he was nominated for an Edgar Award.
For the screen, he’s written and directed the short films Hot Water Bottle, Daffney Molloy And Other Catastrophes and Two Cats. Other short films he’s written include Seanie & Flo (Audience Choice Award, Chicago Irish Film Festival 2020. Deadpan Pictures), Kathleen (Best Screenplay – Waterford Film Festival. Paradox Pictures) and Swerve (Best Short Film – Underground Film Festival 2015. Mycrofilms). He also wrote and directed the pilot Smitten for RTÉ Storyland 2016. He was also one of the writers and directors of the web and radio detective serial Vultures.
Other work in development includes the feature screenplay The Kudome Valentine and the TV series Night Rocker, both with Blue Ink Films and the TV series Industry Of Cool (co-written with Peter McGann) for Deadpan Pictures.
For the stage he has written the plays Taboo (White Label), War Of Attrition, Scratcher, Smitten and Heart Shaped Vinyl (Devious Theatre). He also co-wrote The Hellfire Squad and The Roaring Banshees with Peter McGann. He wrote the adaptation of Thomas Kilroy’s novel The Big Chapel (Asylum/Abbey Theatre/Kilkenny Arts Festival) which was nominated for Best Production at the Irish Times Irish Theatre Awards 2020.
Other writing for theatre includes the community theatre project Bridge Street Will Be (Asylum/Equinox) and part of Mass by The LSA (Dublin Fringe Festival). Work for children includes Don’t Shoot The Messenger, Grimm Fairytales and Andersen’s Fairytales. Writing for radio includes 100 Everyday Menaces (RTÉ Drama On One, IMRO Award Winner 2018), and an adaptation of The War Of The Worlds (KCLR/Devious Theatre, IMRO Award Winner 2009).
Writing about John Morton in the third person is a necessary evil.