The next Devious Theatre production is going to be the Irish stage premiere of Night Of The Living Dead.
Yup, it’s set in present day Ireland. Nope, it’s not a musical.
Also, there’s not much Gaeilge in there… but we’ve a few fluent speakers in the cast so we may well try something out. The title of this blog is me combining the title and being Irish into one absolutely non catchy sentence.
Those are the answers to the main questions we’ve been asked since we launched the play in The Watergate Theatre on Saturday night. People have been really positive about it and have asked many probing questions about how we’re going to pull off a show with such a big cast and the logistical problems of a bloody, undead siege. We give that quiet, confident look that’s a good cover for the sheer terror you feel inside. Sheer terror aside we’re really excited about it and I think it’s going to be a great show.
- Angela, Ken, meself and Dave: wine drunk.
Speaking of the sheer terror you feel inside, that’s what Night Of The Living Dead is all about. It’s been on the boil for Devious Theatre for a couple of years now. We had an eye on it as a modern Irish political allegory but always had that slight worry that if we did what is ostensibly a B movie in a modern Irish setting it would just seem kinda cheap and hokey (it still might). Then back in the year of 2009 we saw Conor McPherson’s version of The Birds, which showed us exactly how you nail a classic 1960’s horror in a modern Irish milieu. We were inspired. We were confident that we could make our Night Of The Living Dead just as relevant, tense, claustrophobic and bird free. Then last year during In The Future When All’s Well, we pulled the trigger on it and it went into active development around the time we finished Scratcher.
It ticks a lot of boxes for us. It’s got the arse on seats name value that’s really important right now and also allows us to explore relevant Irish themes that interest us. With this play we’re focusing on emigration, the destruction of the family unit and fear of government with a tag line that’s straight from the mouth of our beloved leader (“You are not responsible for this crisis”). Like the original, it tells the story of a group of strangers holed up in a house after the dead begin to reanimate and attack the living. In our version, it’s set on a ghost estate in the south-east of Ireland in 2012 as opposed to a rural farmhouse in 1968 Pennsylvania. We’re confident it’s going to be fresh, relevant and still be faithful to what George Romero and his collaborators cooked up in the late 60’s.
Of course, the zombie genre has been absolutely done to death (no pun intended) but in Ireland and on the stage, we’re confident that there’s a lot of fresh meat (pun intended, yeah. Sorry). I’ve been writing it with Connie Walsh since mid 2011 and I think we’ve done a nice take on the Romero story so far. Connie’s an extremely talented writer not to mention actess, as anyone who saw her in Shifting would attest. She’ll also be playing the part of Babs, of “They’re coming to get you Barbara” fame, for her trouble. You can read about our take on the character here. Here she is in Babs mode for the first of what will be a series of character based posters from Ross Costigan and Ken McGuire. Plenty more where that came from in the next few months.
The play will be running from July 24th – 28th in The Watergate Theatre, Kilkenny. We’re mad to take it to other counties but unless people give us money or physically harass their local theatres, we’re starting off simple with it for now. I’ll be posting about it here, but for most content, keep an eye on devioustheatre.com
